Summer’s here!

After a thrilling end to the Jacksonville Symphony’s season last week, I’m in Calgary, Canada, conducting the excellent Calgary Philharmonic. Even this far north, the sun in shining and couples sit at coffee tables on the sidewalks soaking up the rays, replenishing diminished vitamin D levels. Meanwhile, all across the globe orchestral musicians are putting their tails into mothballs, and discovering with horror that their white tuxedo jackets have turned an even more alarming shade of yellow. It must be summer! So what do we musicians do in the summer, once the season has ended? Some orchestras keep playing. I’ll be assisting the New York Philharmonic next week as they play concerts in Central Park. It’s a wonderful start to summer, as tens of thousands

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A postcard from Europe

I’m writing from Amsterdam, the third stop on the New York Philharmonic’s EUROPE/SPRING 2015 tour. So far we’ve visited Dublin and completed a residency at the Barbican in London. This week we’re playing in one of Europe’s most highly esteemed and acoustically perfect venues, Amsterdam’s Concertgebouw, a 2000-seat shoebox-shaped hall with a warm and generous sound that might remind you of somewhere closer to home… The London residency began with the Philharmonic’s music director, Alan Gilbert, addressing the Royal Philharmonic Society. His incisive speech outlined a vision of what an orchestra can and should be in the 21st century. Faithful readers will note many parallels with my own ambitions for the Jacksonville Symphony, especially concerning our role in the community, the meaningful presentation of new music and the need

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