{"id":351,"date":"2018-11-24T10:06:02","date_gmt":"2018-11-24T15:06:02","guid":{"rendered":"http:\/\/www.courtneylewis.com\/blog\/?p=351"},"modified":"2018-12-10T10:07:56","modified_gmt":"2018-12-10T15:07:56","slug":"new-years-eve-in-vienna","status":"publish","type":"post","link":"https:\/\/www.courtneylewis.com\/blog\/2018\/11\/new-years-eve-in-vienna\/","title":{"rendered":"New Year’s Eve in Vienna"},"content":{"rendered":"

Every New Year\u2019s Eve and Day the Vienna Philharmonic performs a concert of waltzes and polkas in the beautiful Grosser Saal of the Musikverein. The New Year\u2019s Day concert is broadcast around the world, bringing the grace and charm of fin-de-si\u00e9cle Vienna with it.<\/strong><\/p>\n

The concerts invariably feature music by the Strauss family. Not to be confused with Richard Strauss, the composer of Der Rosenkavalier<\/em>and Ein Heldenleben<\/em>, the \u2018other\u2019 Strausses were a dynasty of composers beginning with Johann Strauss I, born in 1804. Strauss senior popularized the still new-waltz genre, bringing it into Vienna\u2019s ballrooms with his orchestra. He wrote the famous Radetzky march that nowadays completes each concert with the audience clapping along. But his waltzes were eclipsed by those written by his son, Johann Strauss II. Strauss Junior captured the imagination of the Belle Epoque with a string of operettas, most famously Die Fledermaus<\/em>(\u201cThe Bat\u201d), and dozens of waltzes that perfectly conjure the spirit of Habsburg Vienna.<\/p>\n

In 1928, at the peak of his fame, Johann Strauss Jr. began a series of New Year\u2019s concerts, broadcast by Austrian radio, and a tradition was born. Since then, each set of concerts has been conducted by one of the day\u2019s most famous conductors, the musical world eagerly awaiting the latest interpretations of this peculiarly affecting music.<\/p>\n

I\u2019m sure many of you know Strauss Junior\u2019s most famous composition, On the Beautiful Blue Danube<\/em>. I find something very special and beautiful in this and his other waltzes. Of course they are very much of their time, and can seem a little decadent and old-fashioned nowadays. But this is music of enormous style, sophistication and heart. It represents European culture at its pre-First-World-War peak, a window into a time untouched by conflict for decades, in which the decorative arts, painting, music, architecture, science and medicine had all blossomed in an extraordinary way. It\u2019s generous music that invites you in to its intoxicating swirl.<\/p>\n

This New Year\u2019s Eve we bring the tradition to Jacksonville with a concert featuring the music Strauss and his contemporaries, and a party to welcome the New Year. I\u2019ve been looking forward to it for months, and I hope you\u2019ll join us!<\/p>\n

Originally published by the Florida Times-Union at:\u00a0https:\/\/www.jacksonville.com\/entertainmentlife\/20181124\/conducting-electricity-holidays-are-time-for-waltzes<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Every New Year\u2019s Eve and Day the Vienna Philharmonic performs a concert of waltzes and polkas in the beautiful Grosser Saal of the Musikverein. The New Year\u2019s Day concert is broadcast around the world, bringing the grace and charm of fin-de-si\u00e9cle Vienna with it. The concerts invariably feature music by the Strauss family. Not to be confused with Richard Strauss, the composer of Der Rosenkavalierand Ein Heldenleben, the \u2018other\u2019 Strausses were a dynasty of composers beginning with Johann Strauss I, born in 1804. Strauss senior popularized the still new-waltz genre, bringing it into Vienna\u2019s ballrooms with his orchestra. He wrote the famous Radetzky march that nowadays completes each concert with the audience clapping along. But his waltzes were eclipsed by those written by his son,<\/p>\n

Continue readingNew Year’s Eve in Vienna<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"nfd_image_url":"","nfd_onboarding_generated":"","footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,7],"tags":[],"class_list":["post-351","post","type-post","status-publish","format-standard","hentry","category-conducting-electricity","category-jacksonvillesymphony"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/posts\/351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/comments?post=351"}],"version-history":[{"count":1,"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/posts\/351\/revisions"}],"predecessor-version":[{"id":352,"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/posts\/351\/revisions\/352"}],"wp:attachment":[{"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/media?parent=351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/categories?post=351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.courtneylewis.com\/blog\/wp-json\/wp\/v2\/tags?post=351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}